Riedel provides signal distribution to 2013 Alpine Ski World Cup

Riedel provides signal distribution to 2013 Alpine Ski World Cup

Riedel RiCam ready to start

February 27
07:59 2013

Riedel Communications has supplied several wireless camera systems and audio/video signal distribution services for the 2013 FIS Alpine Ski World Cup in Schladming, Austria.

Working with Munich-based sono Studiotechnik GmbH, which oversaw set up of the International Broadcast Centre for host broadcaster ORF, Riedel installed a fiber network comprising 42 MediorNet mainframes and 60 RockNet digital audio interfaces.

In addition to the signal distribution responsibilities, Riedel also introduced their new wireless RiCam POV camera system that was integrated into the racers’ goggle straps to capture live images from their perspective.

During the FIS alpine event in Schladming, the Riedel fiber backbone accommodated 92 cameras ,160 HD video signals, 200 audio signals, and Ethernet and intercom in a single flexible infrastructure.

For venue communications, Riedel deployed three Artist digital matrix mainframes and a TETRA digitally trunked radio network, which were used for the TV production, the opening ceremony proceedings, and by the Audi shuttle service. (German mobile production company TVN and the Dutch event specialist Faber Audiovisuals also relied on Riedel RockNet systems during the opening ceremony.)

Riedel also provided the video downlink for the helicopter camera and the wireless camera links for the two CAMCAT aerial cable systems used at the event. The company provided full support, with 20 Riedel engineers working on site during one of the largest alpine TV broadcasts of all time.

Developed in collaboration with FIS, ORF, the Austrian Ski Federation, race directors, and various goggle and helmet manufacturers, the RiCam wireless camera met size, weight, and safety specifications and an aerodynamic design so it could be integrated into the goggles’ strap.

The patented camera worn by racers allowed broadcasters to incorporate dramatic point-of-view shots into their productions.

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Paul Milligan

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